[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f3k6km5qdcwtht":3},{"name":4,"slug":5,"guest":6,"profileImage":7,"coverImage":13,"quote":9,"shortBio":18,"plays":19,"intro":9,"images":53,"videos":54},"Stefan Metodiev","stefan-metodiev",false,{"id":8,"title":9,"description":9,"alt":9,"url":10,"width":11,"height":12,"sizes":9},80,null,"\u002Fapi\u002Fmedia\u002Ffile\u002F%D0%A1%D1%82%D0%B5%D1%84%D0%B0%D0%BD%20%D0%9C%D0%B5%D1%82%D0%BE%D0%B4%D0%B8%D0%B5%D0%B2-1.jpg",960,1440,{"id":14,"title":9,"description":9,"alt":9,"url":15,"width":16,"height":17,"sizes":9},102,"\u002Fapi\u002Fmedia\u002Ffile\u002F%D0%A1%D1%82%D0%B5%D1%84%D0%B0%D0%BD%20%D0%9C%D0%B5%D1%82%D0%BE%D0%B4%D0%B8%D0%B5%D0%B2-3.jpg",2720,1335,"\u003Ch1>Stefan Metodiev\u003C\u002Fh1>\n\u003Cp>In 1972, Stefan Metodiev was admitted to the Higher Institute of Theatre Arts “Krastyo Sarafov” (VITIZ) in Sofia, where he studied Acting in the class of Professor Zhelcho Mandadzhiev, with Krikor Azaryan and Mladen Kiselov as assistant directors. His graduation roles were the Old Man in \u003Cem>Two on Horseback, One on a Donkey\u003C\u002Fem> by Oldřich Daněk and Roger in \u003Cem>Topaze\u003C\u002Fem> by Marcel Pagnol. He graduated in 1976.\u003C\u002Fp>\n\u003Cp>After completing his studies, he worked for three years at the Drama Theatre in Targovishte. His roles there included Gorilkov in \u003Cem>Golemanov\u003C\u002Fem> by St. L. Kostov, Sir Andrew in \u003Cem>Twelfth Night\u003C\u002Fem> by William Shakespeare and Styles in \u003Cem>Sizwe Banzi Is Dead\u003C\u002Fem> by Athol Fugard.\u003C\u002Fp>\n\u003Cp>Since 1979, he has been a member of the acting company of the Musical Dramatic Theatre “Konstantin Kisimov” in Veliko Tarnovo. His professional career has spanned more than five decades, during which he has brought to life numerous characters from Bulgarian and international drama.\u003C\u002Fp>\n\u003Cp>\u003Cstrong>Performances at the Musical Dramatic Theatre “Konstantin Kisimov”:\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cul>\n\u003Cli>Vasil Vaklin in \u003Cem>Boryana\u003C\u002Fem> by Yordan Yovkov\u003C\u002Fli>\n\u003Cli>Mario in \u003Cem>The Game of Love and Chance\u003C\u002Fem> by Pierre de Marivaux\u003C\u002Fli>\n\u003Cli>Bobchinsky in \u003Cem>The Government Inspector\u003C\u002Fem> by Nikolai Gogol\u003C\u002Fli>\n\u003Cli>Marshal von Kalb in \u003Cem>Intrigue and Love\u003C\u002Fem> by Friedrich Schiller\u003C\u002Fli>\n\u003Cli>Kiro Kotomana in \u003Cem>The Antimovo Inn\u003C\u002Fem>, based on the work by Yordan Yovkov\u003C\u002Fli>\n\u003Cli>Riesenkraft in \u003Cem>Till Eulenspiegel\u003C\u002Fem> by Grigory Gorin\u003C\u002Fli>\n\u003Cli>The General Counsellor in \u003Cem>The Golden Turnip\u003C\u002Fem> by Pancho Panchev\u003C\u002Fli>\n\u003Cli>Tranio in \u003Cem>The Taming of the Shrew\u003C\u002Fem> by William Shakespeare\u003C\u002Fli>\n\u003Cli>Ilo the Long-Tailed in \u003Cem>The Geraks\u003C\u002Fem>, based on the work by Elin Pelin\u003C\u002Fli>\n\u003Cli>Toncho Trulov in \u003Cem>Music from Shatrovets\u003C\u002Fem> by Konstantin Iliev\u003C\u002Fli>\n\u003Cli>Prodanov in \u003Cem>The New Harbour\u003C\u002Fem> by St. L. Kostov\u003C\u002Fli>\n\u003Cli>Angelariy in \u003Cem>The Fourth Language\u003C\u002Fem> by Angel Wagenstein\u003C\u002Fli>\n\u003Cli>Haralampi the Partridge in \u003Cem>Dangerous Adventures...\u003C\u002Fem> by Nedyalko Yordanov\u003C\u002Fli>\n\u003Cli>David in \u003Cem>An Angel Emerged from the Mist\u003C\u002Fem> by Pyotr Gladilin\u003C\u002Fli>\n\u003Cli>Antonio in \u003Cem>Black Caviar and Lentils\u003C\u002Fem> by Giulio Scarnicci and Renzo Tarabusi\u003C\u002Fli>\n\u003Cli>Veliko in \u003Cem>January\u003C\u002Fem> by Yordan Radichkov\u003C\u002Fli>\n\u003Cli>Eusebius in \u003Cem>John and the Emperor\u003C\u002Fem> by Radko Radkov\u003C\u002Fli>\n\u003Cli>Thomas Rogers in \u003Cem>And Then There Were None\u003C\u002Fem>, based on the novel by Agatha Christie\u003C\u002Fli>\n\u003Cli>Tadeo Bardi in \u003Cem>The Duchess of Padua\u003C\u002Fem> by Oscar Wilde\u003C\u002Fli>\n\u003Cli>The Pensioner in \u003Cem>We, the Bulgarians\u003C\u002Fem> by Kulekov and Boychev\u003C\u002Fli>\n\u003Cli>Lomov in \u003Cem>The Proposal\u003C\u002Fem> by Anton Chekhov\u003C\u002Fli>\n\u003Cli>The Gas Technician in \u003Cem>Come on, Darling, Kill Me!\u003C\u002Fem> by Aziz Nesin\u003C\u002Fli>\n\u003Cli>Calchas in \u003Cem>La Belle Hélène\u003C\u002Fem> by Jacques Offenbach\u003C\u002Fli>\n\u003Cli>The Barber in \u003Cem>Don Quixote\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Mihail in \u003Cem>Ivan Shishman\u003C\u002Fem> by Kamen Zidarov\u003C\u002Fli>\n\u003Cli>The Priest in \u003Cem>Harold and Maude\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Mikhaylo in \u003Cem>Vassa Zheleznova\u003C\u002Fem> by Maxim Gorky\u003C\u002Fli>\n\u003Cli>The Doctor in \u003Cem>The Mother-in-Law\u003C\u002Fem> by Anton Strashimirov\u003C\u002Fli>\n\u003Cli>Nuto and Bruno in \u003Cem>The Decameron\u003C\u002Fem>, based on the work by Giovanni Boccaccio\u003C\u002Fli>\n\u003Cli>Vuko Tase in \u003Cem>The Iron Candlestick\u003C\u002Fem>, based on the novel by Dimitar Talev\u003C\u002Fli>\n\u003Cli>The Father in \u003Cem>The Wedding of the Little Bourgeois\u003C\u002Fem> by Bertolt Brecht\u003C\u002Fli>\n\u003Cli>Asen in \u003Cem>A Church for Wolves\u003C\u002Fem> by Petar Anastassov\u003C\u002Fli>\n\u003Cli>Kokichkov in \u003Cem>The Millionaire\u003C\u002Fem> by Yordan Yovkov\u003C\u002Fli>\n\u003Cli>Niketas Choniates in \u003Cem>The Glory of the Asen Dynasty\u003C\u002Fem>\u003C\u002Fli>\n\u003Cli>Dobrevich in \u003Cem>The Emigrants\u003C\u002Fem>, based on the works of Ivan Vazov\u003C\u002Fli>\n\u003Cli>Primate Vasiliy in \u003Cem>John, Son of Asen\u003C\u002Fem> by Ivan Mitev\u003C\u002Fli>\n\u003Cli>The Prince in \u003Cem>The Count of Luxembourg\u003C\u002Fem> by Franz Lehár\u003C\u002Fli>\n\u003Cli>Nitus in \u003Cem>The Merry Widow\u003C\u002Fem> by Franz Lehár\u003C\u002Fli>\n\u003Cli>Cheko in \u003Cem>Countess Maritza\u003C\u002Fem> by Imre Kálmán\u003C\u002Fli>\n\u003Cli>Mishka in \u003Cem>The Csárdás Princess\u003C\u002Fem> by Imre Kálmán\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>Alongside his acting career, Stefan Metodiev has also worked as a director at the Musical Dramatic Theatre “Konstantin Kisimov”. His artistic portfolio includes more than 20 stage productions and concerts, among them \u003Cem>Diary of a Madman\u003C\u002Fem> by Nikolai Gogol, \u003Cem>The Confession of Prince Kiril\u003C\u002Fem> by M. Topalov, \u003Cem>The Widows\u003C\u002Fem> by A. Kertes, \u003Cem>Yan Bibiyan\u003C\u002Fem>by Elin Pelin and \u003Cem>A Doll’s House\u003C\u002Fem> by Henrik Ibsen.\u003C\u002Fp>\n\u003Cp>With more than five decades devoted to the performing arts, Stefan Metodiev is one of the theatre’s long-standing artists, whose professional journey has been closely linked to the stage of the Musical Dramatic Theatre “Konstantin Kisimov” and to the cultural life of Veliko Tarnovo.\u003C\u002Fp>",{"docs":20,"hasNextPage":6},[21,30,37,44],{"id":22,"name":23,"slug":24,"posterImage":25},7,"The Land of Smiles","the-land-of-smiles",{"id":26,"title":9,"description":9,"alt":9,"url":27,"width":28,"height":29,"sizes":9},47,"\u002Fapi\u002Fmedia\u002Ffile\u002F1280%D1%851920sss.jpg",800,1200,{"id":31,"name":32,"slug":33,"posterImage":34},6,"The Thessaloniki Conspirators","the-thessaloniki-conspirators",{"id":35,"title":9,"description":9,"alt":9,"url":36,"width":28,"height":29,"sizes":9},48,"\u002Fapi\u002Fmedia\u002Ffile\u002F39-1.jpg",{"id":38,"name":39,"slug":40,"posterImage":41},4,"The Peach Thief","the-peach-thief",{"id":42,"title":9,"description":9,"alt":9,"url":43,"width":28,"height":29,"sizes":9},52,"\u002Fapi\u002Fmedia\u002Ffile\u002F%D0%9A%D1%80%D0%B0%D0%B4%D0%B5%D1%86.jpg",{"id":45,"name":46,"slug":47,"posterImage":48},3,"The Csárdás Princess","the-csardas-princess",{"id":49,"title":9,"description":9,"alt":9,"url":50,"width":51,"height":52,"sizes":9},55,"\u002Fapi\u002Fmedia\u002Ffile\u002Fcc.jpg",2560,3840,[],[]]